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Festival Show Update: Benny & Joon

This month, we chatted with with Mindi Dickstein, Nolan Gasser and Kristen Guenther, the writers of 2016 Festival show Benny & Joon. The show is about to open a production at NAMT member Paper Mill Playhouse, the show’s second production following the world premiere at The Old Globe. We chatted about what has changed since the world premiere and the process of getting to a second production.
 
Based on the 1993 film starring Johnny Depp and Mary Stuart Masterson, this new musical is a smart, funny, tender-hearted celebration of love: between children and parents; romantic partners; friends; and, most of all, siblings. The pair at the heart of the show are Joon, a young woman dealing with mental illness, and Benny, the big brother who’s determined to take care of her. When a charmingly eccentric stranger comes into their lives, he throws their carefully calibrated world off-kilter—maybe for the better. Large in emotional scope and artistic ambition, Benny & Joon embraces a difficult subject with warmth, honesty, and wit.
 

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This week we continued our New Musicals Month by highlighting Village Theatre, Finger Lakes Musical Theatre Festival, The Musical Stage Company, the writing teams of The Wicker Husband and Monstersongs, and many more. In case you missed it, here’s our week in review!

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Next, we chatted with Mark Hoebee, the Producing Artistic Director  at NAMT member Paper Mill Playhouse in Millburn, NJ about the theatre’s upcoming world premiere of The Sting, by Bob Martin (The Drowsy Chaperone, Fest ’04), Mark Hollmann (The Girl, The Grouch, and The Goat; Fest ’91) and Greg Kotis. The musical is based on the 1973 film of the same name.

New musicals are the key focus of Paper Mill Playhouse’s mission; tell us a little more about that mission, and what makes Paper Mill such a special place to develop new work.

A key part of our mission is to foster a creative environment for advancing the art form. We strive to be as supportive and collaborative as possible during the arduous process of premiering a new work. That means committing all of the resources of our organization including a skilled and dedicated staff, a state-of-the-art facility, and the best stage crew in the business. It’s also an advantage to be so close to New York City, which enables the artists involved in our productions to maintain a “home base.”  Our mission also stresses developing future theater lovers, and what better way to do that than to present new work.  Our audience becomes part of that birthing processthey get to see it first!

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Members in the News

NAMT in the News

NEA Will Award Over $82 Million in Grants

The National Endowment for the Arts has recently announced that it will award over $82 million in grants to fund artistic projects and research, with $2,735,000 going to companies working in the field of “Theater & Musical Theatre.” Many NAMT members have been selected to receive grants in the NEA’s 50th anniversary year, including NAMT itself, in support of our Festival of New Musicals and Fall Conference. Congratulations to those members receiving grants in this second announcement of NEA funding, including:
Barrington Stage Company
CAP 21
Chicago Shakespeare Theater
Goodspeed Musicals
The Old Globe
Pace University
Paper Mill Playhouse
The Public Theater
Theater Latté Da
Walnut Street Theatre
Weston Playhouse
To view a full list of the grant recipients, visit the NEA’s website. Congratulations, all!

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New Work in Progress: EVER AFTER

This month, we check in with Mark S. Hoebee, Producing Artistic Director at Paper Mill Playhouse, as he tells us about their upcoming production of Ever After.
 
The world premiere of a brilliant new musical based on the 1998 film starring Drew Barrymore and Anjelica Huston.  This is no fairy tale.  Ever After sets the record straight on the fable of Cinderella. It was never about fairy godmothers, talking mice, or magic pumpkins. Her name was Danielle and it was always about her wit, her smarts, her strength, and her good friend Leonardo da Vinci.  She makes her own dreams come true. Warm and romantic, funny and smart, this is the musical you’ve been waiting for.
 
How did Ever After find its way to the Playhouse?
Ever After had been on our radar for several years. I saw an early reading of the show and loved the material. I had a meeting with Scott Landis and Philip Morgaman to discuss the show, but Paper Mill wasn’t at a place to take on the project at that time. Then about two years ago, we were working with Kevin McCollum on The Other Josh Cohen and he had joined the producing team on Ever After. Kevin encouraged me to come see another more full presentation of the piece that they were doing, so I went with Todd Schmidt, our Managing Director. Kathleen Marshall, the director/choreographer had assembled a wonderful cast and there was a 9-piece band and it was just wonderful.  So we grabbed the opportunity to give the show its first full production.

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New Work in Progress: THE OTHER JOSH COHEN

An interview with Paper Mill Playhouse’s Mark Hoebee about their upcoming production of The Other Josh Cohen by David Rossmer (NAMT Fest ’10- notes to MariAnne, ’00- Joe! The Musical) and Steve Rosen.


The Other Josh Cohen is more than an original new musical comedy. It’s the true story of a good guy who is trying to break a streak of incredibly bad luck. He’s single, broke, and just a few days before Valentine’s Day his apartment is robbed of everything but one Neil Diamond CD. Six days later a mysterious letter arrives in his mailbox which changes his life forever. Will his Jewish guilt allow him to enjoy his good fortune? Will he ever be able to stop kicking himself if he doesn’t? And will there ever be a time when nice guys finish first? Yep.


How did Josh Cohen find his way from his Off Broadway productions to Paper Mill?
I have known NY producer Kevin McCollum since we did summer stock together the year we both graduated college. Kevin and I have kept in touch over the years and have discussed several projects that he had which might be appropriate for Paper Mill including White Christmas which was wildly successful here last season. After Josh Cohen ran at SoHo Rep, Kevin spoke to me about the show and sent me the materials. I found the piece incredibly funny, charming, entertaining and was most impressed by the company of actor/musicians that bring the show to life – two of whom are the authors of the piece David Rossmer and Steve Rosen.

What drew you to the show and why is it a good fit for your audience?
I was most excited about this show playing at Paper Mill because it speaks to the new demographic of audience members here. Paper Mill’s audience has been shifting and changing over the last six or so years. We now have a subscriber base of over 20,000 with an annual attendance of more than 200,000. The segment of audience with the largest growth has been patrons in the 35-50 age demographic. They are mostly urban transplants who have moved to the area to enjoy the benefits of living in the suburbs and to start families, but they retain their younger, hipper sensibilities. We have found that they are looking for contemporary, slightly edgier, more sophisticated musical options, and that is exactly what this show offers.

Paper Mill has a history of developing large new musicals like your recent hit, Honeymoon in Vegas, but this show is a smaller show in topic and size. Will the show get bigger for your stage or stay small and quirky?

Paper Mill has been producing new musicals for many years. Back in the 80’s and 90’s we had a new works initiative that launched many new musicals and plays including Paper Moon, Comfortable Shoes, Sayonara and many more. In more recent years we have been working with commercial partners and have produced several world premieres including Newsies (Disney Theatrical Productions) and Honeymoon in Vegas (Roy Gabay and Dena Hammerstein) as well as launching national tours like Little House on the Prairie starring Melissa Gilbert and the 25th Anniversary production of Les Misérables, which we collaborated on with Cameron Mackintosh and then toured for 3 years. We are producing Josh Cohen in our winter slot which typically showcases a play or small musical. Last year we did Lend Me a Tenor in this slot and several seasons back we produced Spelling Bee, so Josh Cohen fits perfectly into that model. Paper Mill is obviously a much bigger space than Soho Rep, but we maintain the small and quirky nature of the piece, which is a large part of its charm.

What has changed for Josh Cohen since its Off Broadway run last fall?
The authors and the director Ted Sperling are revisiting the show right now. There are a lot of possible changes on the table currently, but until the show gets into the rehearsal studio, I couldn’t say which ones will make it to the stage.

Why should people head to Millburn, New Jersey this winter to catch The Other Josh Cohen?
A trip to Paper Mill offers a great opportunity to see the exciting work we are doing here which, of course, includes Josh Cohen. This show is a fun, feel-good evening full of humor with a brand new terrific contemporary score. Our talented writer/performers David and Steve are a witty and fresh new voice in musical theatre that no avid theatre-goer should miss. Anyone who makes the short trip from NYC won’t be disappointed.
For more information on The Other Josh Cohen, please visit www.papermill.org

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