Members in the News

NAMT in the News

NEA Awards Grants to NAMT and Our Members

The National Endowment for the Arts has recently announced that it will award over $25 million in grants to fund artistic projects and research, with just over $3 million going to companies working in the field of Theater & Musical Theatre. Many NAMT members have been selected to receive grants in this cycle, including $60,000 to NAMT itself, in support of our Festival of New Musicals and Fall Conference. Congratulations to those members receiving grants in this round of NEA funding, including:
Ars Nova
Atlantic Theater Company
Dallas Theater Center
Diversionary Theatre
Goodspeed Musicals
Horizon Theatre Company
The Lark
Lyric Theatre of Oklahoma
MCC Theater
NAMT
The Old Globe
Playwrights Horizons
Prospect Theater Company
The Public Theater
TheatreWorks Silicon Valley
Village Theatre
ZACH Theatre
Congratulations to all, and thank you to the NEA for supporting arts organizations throughout the country! For a full list of the recipients, visit the NEA’s website. 

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Last week, Variety took a look at Apples and Oranges Arts‘ new works program, THEatre ACCELERATOR to dig into the unique way that this NAMT member is looking at new musical development. The Accelerator uses Silicon Valley entrepreneurial techniques to speed up the new musical development process. Variety spoke with Tim Kashani, Apples and Oranges’ co-founder, to get some further insight into the program’s creation and its goals.

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American Theatre has a great report on NAMT member La Jolla Playhouse’s new audience engagement program, initiated in 2015 with a Building Audiences for Sustainability grant from the Wallace Foundation. Since receiving the grant, the Playhouse has used their resources to create and sustain programs that will allow them “to build an audience that is more reflective of San Diego.” Through interviews with staff and board members, increased patron participation and commissioning new works, the Playhouse has been hard at work on making this immersive community engagement effort one that will have a direct and lasting impact on the theatre’s work.

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The Portland Press Herald recently wrote a feature about two Maine-based NAMT members, Ogunquit Playhouse and Maine State Music Theatre. The article highlights the extraordinary changes that both Ogunquit and MSMT have made in recently, through expanding their seasons, programming new work, bringing in big-name talent and much more. In response to audience demand, both theatres have focused on creating Broadway-level productions, a focus that has paid off both in ticket sales and in reputation.

Carla Maria Verdino-Süllwold of Brunswick, who writes and edits for the online theater website Broadway World, said both theaters have transitioned into the 21st century with their sophistication and technological savvy while retaining some of their mid-20th century appeal. New York has noticed, and that recognition is reflected in both the quality of the creative talent working in Maine as well as the number of premieres both theaters take on.

To read the whole article and learn more about the work Ogunquit and MSMT are doing, visit the Portland Press Herald‘s website.

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Festival Alumni in the News

Members in the News

Kirsten Childs Thinks Big

Kirsten Childs, a Festival alumna for The Bubbly Black Girl Sheds Her Chameleon Skin (Fest ’98) and Funked Up Fairy Tales (Fest ’12), is well known for her imaginative stories, and her latest musical certainly lives up to that reputation. Supported by a production grant from the National Fund for New Musicals, Childs’ Bella: An American Tall Tale had its world premiere at NAMT member Dallas Theater Center, and the production is now playing in New York at member theatre Playwrights Horizons. American Theatre recently published a feature on Childs, her latest production and her views on the theatre.

“The musical theatre form can lift you to such a wonderful place,” Childs testifies. “And it’s my personal and political goal to be uplifting, without needing to give people rose-colored glasses, without needing to let the truth be swept under the carpet, and without pretending that awful things don’t exist.”

Read the full profile the American Theatre website. Interested in learning more about how the project came to be? Check out our interview with Childs’ from last year.

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NAMT member Center Theatre Group’s new production of Zoot Suit was recently featured in a New York Times article. The article highlights the audience reaction to this season’s production; the show was first staged by CTG in the late ’70s and premiered on Broadway in 1979. This year’s production has proved extremely popular, with sold-out houses and three extensions. Audience members are also expressing their excitement about the show in another way–by coming to the theatre dressed in the fashions highlighted onstage. The NY Times spoke with several of these audience members about what seeing the show staged today means to them.

 “My mom was a pachuca, and before I saw the play I would be very embarrassed, I would be ashamed of my own skin. Then she took us to the play, and what stood out to me most was that most of the audience was Anglo and they were shouting and embracing what was going on. I remember feeling kind of proud, finally. I thought, Wow, this is my culture and where we come from.”
-Valerie Munoz

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The Wichita Eagle recently wrote a feature on NAMT Member Music Theatre Wichita, focusing on the caliber of MTW’s work, and how that makes the Kansas theatre a pipeline to Broadway for many young actors. The piece talks with many actors and theatre professionals who credit MTW as the place that kick-started their careers. Producing artistic director Wayne Bryan is also featured in the piece, discussing MTW’s programs and the important role that the theatre plays in shaping Broadway’s talent pool.

“There’s a real passion and a real openness to, I think, a lot of the performers that come out of the MTWichita program, and I think that contrasts with a lot of other young actors I see, where there’s a lot of self-doubt and a lot of sort of competition and a lot of second-guessing themselves,” [Stephen Kopel, Broadway casting director and MTW alum] said. “The folks that work at MTWichita, probably because they’re working at such a professional environment, come out a step ahead in terms of knowing how to present yourself, not second-guessing yourself and not treating everything as a sort of competition. There is an openness and joy to what those performers do, and I think that comes from MTWichita.”

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Members in the News

Know a Theatre: WaterTower Theatre of Addison, Texas

For the second month in a row, a NAMT member was featured in American Theatre‘s monthly “Know a Theatre” feature. This month, American Theatre spoke with Joanie Schultz, the new artistic director at WaterTower Theatre in Addison, TX. They spoke about about the theatre’s history, Schultz’s relationship to the organization and her excitement about theatre’s future.

I’m in the midst of a lot of exciting new developments at WaterTower, as we shift our focus toward creating empathy, building community, and creating dialogue with innovative, engaging theatre that speaks to our contemporary moment. This coming season we will be doing new and contemporary work and using our theatre in ways it’s never been used before. It’s an exciting time to be in the Dallas-Fort Worth area and at WaterTower Theatre in particular.

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Members in the News

Know a Theatre: Broadway Rose Theatre Company

American Theatre recently featured NAMT member Broadway Rose Theatre in their monthly “Know a Theatre” feature. Sharon Maroney, Broadway Rose’s producing artistic director, was interviewed about the theatre’s history, regional impact, artistic programming and more.

We are committed to producing new or lesser-known works as well as classic Broadway musicals. We always want to balance our season with artistically satisfying productions and shows that will help us stay financially sound. Last season we did a new work called Fly by Night. It was wonderful—an artistic and critical success and our audience enjoyed it. We also did Church Basement Ladies—a definite crowd pleaser that sold out and helped support other productions that we knew wouldn’t make as much money but were important to produce.

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Members in the News

NAMT in the News

NEA Awards Grants to NAMT and Our Members

The National Endowment for the Arts has recently announced that it will award over $30 million in grants to fund artistic projects and research, with $3,505,000 going to companies working in the field of Theater & Musical Theatre. Many NAMT members have been selected to receive grants in this cycle, including $55,000 to NAMT itself, in support of our Festival of New Musicals and Fall Conference. Congratulations to those members receiving grants in this round of NEA funding, including:
The 5th Avenue Theatre
Ars Nova
Atlantic Theater Company
The Lark
Lyric Theatre of Oklahoma
The Old Globe
Playwrights Horizons
Portland Center Stage
TheatreWorks Silicon Valley
Village Theatre
ZACH Theatre
Congratulations to all, and thank you to the NEA for supporting arts organizations throughout the country! For a full list of the recipients, visit the NEA’s website. Watch the NEA’s video above to learn more about their impact on the arts in America.

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Members in the News

Theater Latté Da Finds Permanent Home

NAMT member Theater Latté Da has recently announced the purchase of the historic Ritz Theatre in northeast Minneapolis. American Theatre reported on the purchase, noting that this will mark the first time in Theater Latté Da’s 18-year history that the administrative offices, rehearsal spaces and performance venues will be in the same building.

“During our time at the Ritz Theater, our patrons have expressed how much they love the intimacy of the space and the vibrancy of the neighborhood,” said artistic director Peter Rothstein in a statement. “Residents and local businesses have been extremely welcoming and become a vital partners. With the Ritz Theater as our artistic home, we will continue to deepen our relationship with Northeast Minneapolis. The Ritz Theater is a fantastic building in a dynamic neighborhood with a rich history of diverse ethnic identity and cultural exchange. Theater Latté Da is thrilled to be a part of its next chapter.”

Congratulations to Peter and the whole Theater Latté Da staff on this exciting new development! Read more on American Theatre’s website.

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Members in the News

NAMT in the News

NEA Will Award Over $82 Million in Grants

The National Endowment for the Arts has recently announced that it will award over $82 million in grants to fund artistic projects and research, with $2,735,000 going to companies working in the field of “Theater & Musical Theatre.” Many NAMT members have been selected to receive grants in the NEA’s 50th anniversary year, including NAMT itself, in support of our Festival of New Musicals and Fall Conference. Congratulations to those members receiving grants in this second announcement of NEA funding, including:
Barrington Stage Company
CAP 21
Chicago Shakespeare Theater
Goodspeed Musicals
The Old Globe
Pace University
Paper Mill Playhouse
The Public Theater
Theater Latté Da
Walnut Street Theatre
Weston Playhouse
To view a full list of the grant recipients, visit the NEA’s website. Congratulations, all!

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Members in the News

Theatre by the Book in Big D

Member theatre Dallas Theater Center has been exploring new ways to connect their audiences to the materials presented on their stage. One of their most innovative programs is a community book club that meets to discuss books, chosen by DTC staff, that relate to each show in the DTC season. American Theatre digs into this community engagement program, talking with staff at DTC about the successes and the challenges that this program has faced.

The book club fosters strong connections—among plays and club members, their community, and the thea­tremakers. Though theatre appreciation in an academic sense isn’t a goal of the project, the direct interaction with theatre personnel leads to more personal investment. “I’m always surprised by how much some audience members want to see how the sausage is made,” [Travis] Ballenger [DTC’s artistic associate] commented. “They formed a deep connection with the shows after those conversations and would often see the production multiple times. It was those conversations that led us to create New Play University,” a separate program, in its initial year, in which participants read drafts of, and meet with the artists behind, new plays in development in Dallas.

Read more about this program on American Theatre’s website.

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Lyric Theatre of Oklahoma‘s New Works Initiative was developed to allow the theatre to commit to producing world premiere musicals. Through this program, Lyric supports the future of musical theatre, and is helping make Oklahoma a home for new musical development. NewsOK took a look into Lyric’s newest premiere, Mann…And Wife, to explore the evolution of the New Works Initiative and Artistic Director Michael Baron’s vision for the program.

The modern dating comedy “Mann … And Wife” marks the third world premiere production in three seasons for Lyric, after the 2014 musical mystery/romance “Triangle” [NAMT Fest 2012] and last year’s period piece “Bernice Bobs Her Hair” [NAMT Fest 2011]. Continuing through Feb. 21 at Lyric’s cozy Plaza District theater, the romantic comedy is part of the New Works Initiative Baron has championed at the more than 50-year-old company.
“I feel as a not-for-profit and a vibrant arts institution we should be adding to the canon of musical theater and that other places should be doing musicals that premiere here in Oklahoma. And that’s already beginning to happen,” Baron said in an interview.
“Some theaters have large reading series, some of them do lots of workshops, and I feel like the best use of our space and time is to actually do either the first kind of development production or the actual world premiere on its feet. Because there’s lots of new musicals and rarely do they get to get on their feet with costumes and all that. … And for us, it’s almost just as expensive to bring out the entire group for a workshop, so we might as well put it on the stage and do a full production.”

Read more at NewsOK.com.
Photo: From left, Mateja Govich, Zachary Prince and Liz Shivener rehearse a scene from Lyric Theatre’s new musical “Mann … and Wife” at Lyric at the Plaza, 1727 NW 16th St., in Oklahoma City, Friday, Jan. 22, 2016. Photo by Nate Billings, The Oklahoman.

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