A guest post from Anthony Drewe, lyricist and librettist for this year’s show Soho Cinders, written with George Stiles and Elliot Davis. This is Anthony and George’s third time returning to the Festival, previously being featured with their shows Honk! (Fest ’99) and The Three Little Pigs (Fest ’13). George also had a second show featured in the 1999 Festival, The Three Musketeers
My first experience of NAMT was in 1993 when I attended the Festival of New Musicals as a delegate. I was impressed that such an organization existed for new writers and that so many regional theatres shared such a strong interest in new musical theatre. At the time, I wished that such an organisation existed in the UK and, as a Brit, never dreamt that we would one day have a show of our own in the NAMT Festival.

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INSIDE THE 2016 FESTIVAL: The Road to the Festival

I first had the germ of an idea to write a modern Cinderella story in the early 90’s. At the time the story was to be set in a launderette in the East End of London, run by a young single mother who falls in love with a married politician. The pumpkin carriage was to be a London taxi, the fairy godmother a customer who brings a ball-gown to be dry-cleaned. It was to be called Launderella and pretty much all that remains of that treatment is the song “They Don’t Make Glass Slippers.”
It was a few years later, sitting in Hyde Park with George, and basking in the recent success of Honk!, that we revisited the idea. We wanted to write a modern musical fable, loosely based on the fairytale but very London-centric. We decided to make our Cinderella character a young gay guy, Robbie, who works in the city’s most cosmopolitan district, Soho. As Robbie sings, in one of the lyrics:
ALL CITIES HAVE THE SAME
ONE STREET THAT KNOWS NO SHAME
In London, that is Old Compton Street – a glorious melting pot where gay bars, straight bars, theatres, coffee shops and strip clubs sit seemingly happy, side by side. One afternoon we sat in Old Compton Street just watching the tide of interesting characters walking by, and wondering what their stories were.

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We are thrilled to announce the line-up of new musicals for the 28th Annual Festival of New Musicals, which takes place on Thursday, October 27 and Friday, October 28, 2016 in New York.
Now in its 28th year, the National Alliance for Musical Theatre’s Festival of New Musicals attracts theatre producers from around the world for this industry-only event to discover eight new musicals presented in 45-minute concert presentations over two days. All production costs are underwritten by NAMT, at no cost to the writing teams.  As a non-profit organization, NAMT funds the Festival entirely through donations, sponsorships and contributions.
The festival has introduced musical theatre producers to 236 musicals and 448 writers from around the world. As a direct result of the Festival of New Musicals, more than 85% of the musicals presented have gone on to subsequent readings, workshops, productions and tours, been licensed, and/or recorded on cast albums. Some past festival shows include the Broadway-bound Come From Away (Spring 2017), The Drowsy Chaperone, It Shoulda Been You, Striking 12, Ordinary Days, Thoroughly Modern Millie, among many others.

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