Audiences will be hearing the show’s first-ever orchestration, funded in part by the National Fund for New Musicals. Fleischer stated, “ATF has always been committed to developing new works for the theatre. The next logical step in the development of Ordinary Days was to provide Adam Gwon with a fuller orchestra. Previous performances have only utilized a piano for accompaniment. The additional funding allowed ATF to hire an orchestrator to work with Adam on expanding the musical scope of the piece.”
Fleischer discovered Ordinary Days at the National Alliance for Musical Theatre’s annual Festival of New Musicals in New York City.