Members in the News

NAMT in the News

NEA Awards Grants to NAMT and Our Members

The National Endowment for the Arts has recently announced that it will award over $30 million in grants to fund artistic projects and research, with $3,505,000 going to companies working in the field of Theater & Musical Theatre. Many NAMT members have been selected to receive grants in this cycle, including $55,000 to NAMT itself, in support of our Festival of New Musicals and Fall Conference. Congratulations to those members receiving grants in this round of NEA funding, including:
The 5th Avenue Theatre
Ars Nova
Atlantic Theater Company
The Lark
Lyric Theatre of Oklahoma
The Old Globe
Playwrights Horizons
Portland Center Stage
TheatreWorks Silicon Valley
Village Theatre
ZACH Theatre
Congratulations to all, and thank you to the NEA for supporting arts organizations throughout the country! For a full list of the recipients, visit the NEA’s website. Watch the NEA’s video above to learn more about their impact on the arts in America.

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Festival Show Update: LIZZIE

Steven Cheslik-DeMeyer, Tim Maner and Alan Stevens Hewitt recently began licensing their 2010 Festival show LIZZIE. Now that they’ve begun licensing the show, we wanted to check in with LIZZIE one last time to find out what this new step means for the show.
LIZZIE has had quite the journey since it appeared in the 2010 Festival! Can you tell us a little bit about the developmental path that brought the show to its current form?
SC: In the 2 years following NAMT, we did a developmental production at Village Theatre in Washington, a concert at Ars Nova in New York, and a co-production of Baldwin Wallace University and Playhouse Square in Cleveland, directed by Vicky Bussert who we met when she directed our NAMT presentation. All those productions were very different, and working with such different directors and actors was great for allowing us to see how the show worked and to zero in on things that needed to be sharpened. We did a lot of rewriting in those years, added a few new songs and reworked whole sections. And we changed the name of the show from Lizzie Borden to just LIZZIE.
Then we made the album! We always described LIZZIE as a concept album come to life, but it was just a way of talking about the show. There was no actual album. But in 2013, Alan completely orchestrated the show and produced the recording, which we approached more like a rock record than a cast album. At that point, the show really felt “finished” to us. (The album is on Broadway Records and is available as a CD, digital download, and vinyl.)
Since then we’ve had productions at TUTS in Houston, Portland Center Stage, Fredericia Teater in Denmark, and Ray of Light Theatre in San Francisco.

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