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NEA Awards Grants to NAMT and Our Members

The National Endowment for the Arts has recently announced that it will award over $27 million in grants to fund artistic projects and research, with $3.24 million going to companies working in the field of Theater & Musical Theatre. Many NAMT members have been selected to receive grants in this cycle, including $55,000 to NAMT itself, in support of our Festival of New Musicals and Fall Conference. Congratulations to those members receiving grants in this round of NEA funding, including:
Ars Nova
Atlantic Theater Company
Diversionary Theatre
East West Players
Horizon Theatre Company
La Jolla Playhouse
MCC Theater
NAMT
North Carolina Theatre
The Old Globe
Olney Theatre Center
Philadelphia Theatre Company
Phoenix Theatre
Playwrights Horizons
The Public Theater
Red Mountain Theatre Company
Roundabout Theatre Company
Seattle Rep
Village Theatre
ZACH Theatre
Additionally, two Festival shows have received grants for productions taking place within the granting cycle. Signature Theatre (Arlington, VA) received a grant for the world premiere of Gun & Powder (Fest ’18) by Ross Baum and Angelica Chéri opening this month. NAMT member East West Players and Mixed Blood (Minneapolis, MN) received grants for upcoming productions of Interstate (Fest ’19) by Melissa Li and Kit Yan.
Congratulations to all, and thank you to the NEA for supporting arts organizations throughout the country! For a full list of the recipients, visit the NEA’s website. 

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2019-2020 Frank Young Fund for New Musicals and Innovation & Exploration Fund Grants Announced

We are thrilled to announce 11 awards granted from the Frank Young Fund for New Musicals (formerly known as the National Fund for New Musicals), and six awards granted from the Innovation & Exploration Fund. Now in its 11th year, this year the Frank Young Fund for New Musicals (FYFNM) is providing grants totaling $70,000 to organizations across the country. The Innovation & Exploration Fund (I&EF) is providing grants totaling $12,000 to organizations nationwide.
NAMT Executive Director Betsy King Militello stated: “We are honored and excited to support our member theatres both as they work to develop innovative and provocative new musicals, and as they explore ideas to create new best practices in the field. With these grants, we have now awarded 162 grants totaling $563,000 to NAMT members across the country. These projects will join a growing list of important new musicals and initiatives supported by NAMT’s granting programs.”

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Members in the News

NAMT in the News

NAMT News

NEA Awards Grants to NAMT and Our Members

The National Endowment for the Arts has recently announced that it will award over $27 million in grants to fund artistic projects and research, with $3.28 million going to companies working in the field of Theater & Musical Theatre. Many NAMT members have been selected to receive grants in this cycle, including $55,000 to NAMT itself, in support of our Festival of New Musicals and Fall Conference. Congratulations to those members receiving grants in this round of NEA funding, including:
Ars Nova
Atlantic Theater Company
Diversionary Theatre
Horizon Theatre Company
The Lark
NAMT
The Old Globe
Philadelphia Theatre Company
Playwrights Horizons
The Public Theater
Roundabout Theatre Company
Seattle Repertory Theatre
Theater Latté Da
Theatre Under The Stars
Village Theatre
ZACH Theatre
Congratulations to all, and thank you to the NEA for supporting arts organizations throughout the country! For a full list of the recipients, visit the NEA’s website. 

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NAMT News

Festival Show Update: The Mad Ones

This month we caught up with Kait Kerrigan and Brian Lowdermilk, the writers of 2016 Festival show The Mad Ones (formerly known as The Unauthorized Autobiography of Samantha Brown). This November The Mad Ones will receive an off-Broadway run with new NAMT member The Prospect Theater Company, preceded by a concert with NAMT member Philadelphia Theatre Company. We talked with Kait and Brian about what’s been happening with the show since the Festival and how they’re preparing for this next exciting step.

What was the post Festival response to The Mad Ones like?
We had a powerful response to the piece. It’s a show that people in the industry have heard songs from for a long time so I think there was a lot of interest in seeing what the show was about. It was exciting for us to have the songs seen in context and have the piece feel like more than the sum of its parts. We were able to make connections with lots of theaters that might be interested in doing the show down the line as well as develop a few new relationships with champions of the piece.

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