We are thrilled to announce 11 awards granted from the Frank Young Fund for New Musicals (formerly known as the National Fund for New Musicals), and six awards granted from the Innovation & Exploration Fund. Now in its 11th year, this year the Frank Young Fund for New Musicals (FYFNM) is providing grants totaling $70,000 to organizations across the country. The Innovation & Exploration Fund (I&EF) is providing grants totaling $12,000 to organizations nationwide.
NAMT Executive Director Betsy King Militello stated: “We are honored and excited to support our member theatres both as they work to develop innovative and provocative new musicals, and as they explore ideas to create new best practices in the field. With these grants, we have now awarded 162 grants totaling $563,000 to NAMT members across the country. These projects will join a growing list of important new musicals and initiatives supported by NAMT’s granting programs.”
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New Work in Progress: Penn State Musical Theatre
This month, we chatted with John Simpkins, the Director of NAMT member Penn State Musical Theatre in University Park, PA about the school’s new commissioning program. The school just presented its first full production of a show developed through the program, and will be holding a concert reading of their most recent commissioned show next month.
Penn State Musical Theatre started a commissioning program for new musicals a few years ago. Can you tell us a little about Penn State’s history with new work and what inspired this program?
Penn State Musical Theatre has always been open to new work—and has done readings and workshops along the way inspired mostly by professional relationships and a desire to meaningfully connect the students to writers and process wherever possible. When I got to Penn State in 2015, one of the things I began was our New Musicals Initiative, whose key component is the commissioning program. The inspiration for this unique commissioning idea was driven by finding the intersection of multiple objectives. For the writer, we hope to give each team a safe and creative place to think write, collaborate, and experiment with talented young artists who hunger for opportunity and will apply the fullness of their artistic souls to everything they do. For the training process, there is no better way to teach character development and the ability to engage with new works than to have a new musical forming around and with the students every year. And for the collaborative engine of 21st century musical theatre, we are very proud to commission shows to add to the repertoire and even continue on as co-producers in the professional journey of some of the projects.